Still published today, Domus is a reference in the fields of architecture and design. Check: Publix Weekly Ad and Kroger Weekly Ad. Catalogo, Galleria Marlborough, Roma 1976 sono su eBay Confronta prezzi e caratteristiche di prodotti nuovi e usati Molti articoli con consegna … 1931 - Milano, Padiglione dell’Industria Grafica e Libraria alla Fiera Campionaria His daughter Lisa Licitra Ponti soon joined the editorial team. Ponti is also involved in the project to expand the new university campus in Rome, led by the urban planner Marcello Piacentini by designing the School of Mathematics school, inaugurated in 1935. He was involved in many projects, particularly in his native city of Milan. Ponti continued to create wall and floor coverings whose graphic rendering becomes a work of art in itself. 1929-1931 1957–1959: Carmelite convent, Bonmoschetto. 1934: Room "Più leggero dell'aria" ("Lighter than air") at the Esposizione dell’aeronautica italiana, Palazzo dell'Arte. 1933–1936: Rasini building, bastioni di Porta Venezia. [18] In 1957, the Superleggera chair designed for Cassina, and still produced today, was put on the market. 1953: Furniture and organized walls for Altamira, 1956: Enameled cooper objects and animals in collaboration with. [11][12] He completely renewed the iconographic repertoire by freely revisiting the classical tradition. GIO PONTI. Leggi su Domus gli articoli, le interviste e gli approfondimenti dedicati ai progetti di Gio Ponti. [10] A few miles away, Ponti designed for Blanca Arreaza, the Diamantina (1954–1956), so-called because of the diamond-shaped tiles that partially cover its facade. Quale è il tratto distintivo delle opere di Gio Ponti? - Oropa, Illustrazione di "La casa della cortigiana" di Oscar Wilde Visualizza altre idee su gio ponti, divani vintage, famous architects. Thanks to his involvement in numerous exhibitions, Ponti established himself as a major player in the development of post-war design and the diffusion of "Made in Italy". - Levanto (Genova), Partecipazione alla costruzione del Monumento ai Caduti in Piazza Sant’Ambrogio In the 1950s and in the 1960s, Ponti multiplied events in Italy and abroad. 1920 -1930, Ceramiche e porcellane per Richard-Ginori, Manifattura di Doccia, Sesto Fiorentino (Firenze) e San Cristoforo (Milano) In the 1920s, Ponti began numerous collaborations, notably with the silverware company Christofle, the glassmakers Venini and Fontana Arte. 1935–1937: Paradiso del Cevedale hotel, Val Martello. - Monza, “Casa delle vacanze” alla quarta Triennale di Monza In 1930, he designed furniture and lighting for the glassmaker Fontana and became in 1933, together with Pietro Chiesa, the artistic director of the branch Fontana Arte. Ponti graduated with a degree in architecture in 1921 from the Politecnico di Milano University. Within the new multidisciplinary review of art, architecture and interior design Domus, which he founded in 1928 with the publisher Gianni Mazzochi and which he directed almost all his life, Ponti had the opportunity to spread his ideas. This villa has since been destroyed. Vengono pubblicati artisti carissimi a Gio Ponti, due su tutti, Piero Fornasetti (1913-1988) e Fausto … [13] After this major success, Ponti played a major role in the modernisation of Italian decorative arts, especially thanks to his involvement in the Monza Biennials and the Milan Triennials. 1934–1940: Faculty of the Arts, Il Liviano. Al MAXXI di Roma la mostra intitolata a Gio Ponti, architetto e designer. - Milano, Stabilimento Italcima all’angolo tra Via Crespi e Via Legnone 1931, Tre librerie per le Opera Omnia di D’Annunzio 1959: Auditorium of the Time-Life Building, Sixth Avenue. La prima aggiudicazione registrata sul sito è un/a oggetti del 1986 da Christie's , e la più recente un/a disegno acquarello del 2020. 1950–1955: Urban planning and buildings for Ina, Harrar-Dessiè neighborhood, 1951: Competition for the interior design of the ocean liners Asia and Vittoria (. He then applied this solution to domestic spaces and offices, with "organised walls". In 1970, Ponti presented his concept of an adapted house (casa adatta) at Eurodomus 3 in Milan, where the house is centred around a spacious room with sliding partitions, around which the rooms and service areas gravitate. 1920 - 1970, Mobili vari anni '20 e '30 - Milano, Appartamento Borletti Via de Togni This theatricality was reinforced by the omnipresence of ceramics, whose uses he reinvented both indoors and outdoors. 1923-1938, Disegni dal "piccolo album" Ponti also deepened his reflection on the skyscraper with a project of triangular and coloured towers (1967–1969). PROGETTISTA Gio Ponti, A. Fornaroli, A. Rosselli, con Valtolina, Dell'Orto DESTINAZIONE D'USO Edifici per uffici INDIRIZZO P.za Duca D'Aosta 3 , Milano 1952 - 1961 Spacious, equipped and built with modern materials, they met the requirements of the new Milanese bourgeoisie. He also planned a film adaptation of Luigi Pirandello's Enrico IV for Louis Jouvet and Anton Giulio Bragaglia. After the death of Alberto Rosselli he continued to work with his longtime partner Antonio Fornaroli. 1961–1963: Facade of the Shui Hing department store, Nathan Road. - Milano, Casa in Via Domenichino Other collaborations were established, in particular with the Dal Monte brothers, who specialised in the production of papier-mâché objects, the ceramist Pietro Melandri, the porcelain manufacturer Richard Ginori and the Venini glass factory in Murano. 1950–1960: Textiles for Jsa, Busto Arsizio, 1951: Display of a standard hotel room for the IXth. E' una banca dati, ... Opere di pittura 1920 - 1970 Mobili vari anni … In the 1950s, and thanks to his role in the Domus Magazine, Ponti was internationally known and commissions were multiplying, with constructions in Venezuela, Sweden, Iraq and projects in Brazil. ), Daniel Sherer, “Gio Ponti: The Architectonics of Design,” Catalogue Essay for, Daniel Sherer, “Gio Ponti in New York: Design, Architecture, and the Strategy of Synthesis,” in, This page was last edited on 11 December 2020, at 19:33. [21], http://www.archidiap.com/opera/scuola-di-matematica/, "Il pellegrino stanco by Gio Ponti by Salvatore Saponaro | Blouin Art Sales Index", Gio Ponti's works on the Italian public Television – RAI, INA Casa Harrar-Ponti by Gio Ponti in Rome (1951–1955), https://en.wikipedia.org/w/index.php?title=Gio_Ponti&oldid=993653779, Italian military personnel of World War I, Wikipedia articles with BIBSYS identifiers, Wikipedia articles with CANTIC identifiers, Wikipedia articles with KULTURNAV identifiers, Wikipedia articles with RKDartists identifiers, Wikipedia articles with SELIBR identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with Trove identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, Architectures designed by Ponti photographed by. 1930–1933: Textiles for Vittorio Ferrari, 1940: Paintings and objects made from enamel on copper in collaboration with, 1940–1959: furniture and interior design in partnership with, 1941–1947: Furniture decorated with enamel in collaboration with, 1942–1943: Film adaptation of the play Henry IV by. [6] Ponti chose bright and functional spaces with simple lines, including a fan-shaped building that housed three amphitheaters. Giovanni Ponti, meglio noto come Gio Ponti, nasce a Milano il 18 novembre 1891 e, dopo il liceo classico, nel 1913, si iscrive alla Facoltà di Architettura del Politecnico di Milano. 1964–1970: Montedoria building, via Pergolesi. 1971: Gabriela chair for Walter Ponti, San Biagio. 1927-1928 Thanks to his involvement, the Biennale underwent tremendous development: renamed the Triennial of Art and Modern Architecture in 1930 and relocated to Milan in 1933, it became a privileged place to observe innovation at the international level. Ciborio per la Basilica 1926 All the materials and the furniture, chosen or designed by Ponti, were shipped from Italy. - Varedo (Milano), Arredamento Contini-Bonacossi “Gio Ponti Archives” ha sede nei locali che erano lo studio di Gio Ponti, nell'edificio da lui progettato e abitato in via Dezza 49 a Milano. - Levanto (Genova), 1931 1920, Illustrazione de "La ballata del carcere di Reading" di Oscar Wilde the chair, which was very strong but also so light that it can be lifted by a child using just one finger. 1930, Tessuti per Vittorio Ferrari (inizio della collaborazione) 1934: De Bartolomeis villas, Val Seriana. Ponti also presented the work of Charles Eames and of the decorator Piero Fornasetti. Venduto a € 75.000 + d.a. - Milano, Mobili per La Rinascente-Domus Nova 1926–1928: country house l'Ange volant. For this complex, he designed two buildings with highly colored profiles, one of which was designed in collaboration with the architect Gigi Gho.[1]. 26-mar-2020 - Esplora la bacheca "gio ponti" di stefaniatropea, seguita da 119 persone su Pinterest. He also obtained the Accademia d'Italia Art Prize for his artistic merits, as well as a gold medal from the Paris Académie d'Architecture. The bottles evoke stylized female bodies. Il compito che si dà questa banca dati è dunque anche quello di comporre un affresco il più ricco possibile dello sfondo su cui la personalità di Gio Ponti si muoveva, nella consapevolezza che in quegli anni (1920-1970) nel campo dell'arte, dell'architettura e del design in Italia si raggiungono "espressioni" di qualità poi ineguagliata. Fotografie, disegni, lettere, documenti, testi critici e dati. From 1934 to 1942, he worked at the University of Padua, with the construction and interior design of the new Faculty of Arts, Il Liviano (1934–1940), then the artistic direction and interior design of the Aula Magna, the basilica and the rectorate of the Palazzo Bo. 1928 This small oval building was covered with white and green ceramic tiles, both inside and outside, including the roof. 1958–1962: RAS office building, via Santa Sofia. Industrial design: 1923 Ceramiche e porcellane per Richard-Ginori; 1927 Oggetti in peltro ed argento per Christofle; 1930 Grandi pezzi in … 1928, Arredamento Vimercati in Via Domenichino - Milano, Casa Borletti in Via San Vittore, Milano 1928 Asta 139 / Lotto 314: GIO. The Gabriela chair (1971) with a reduced seat, as well as the Apta furniture series (1970) for Walter Ponti, illustrated this new way of life. The art historian Nathan Shapira, his student and disciple, organised that same year, with the help of Ponti, his first retrospective exhibition which travelled the United States for two years. Giò PONTI (1891-1979) è un artista nato nel 1891. 1930, Grande tavolo in alluminio presentato alla 4° Triennale di Monza A mirror of the architectural and decorative arts trends, it introduced Italian readers to the modernist movement and creators such as Le Corbusier, Ludwig Mies van der Rohe, Jean-Michel Frank and Marcel Breuer. The 1970s began with the inauguration in 1970 of the Taranto Cathedral, a white rectangular building topped with a huge concrete facade perforated with openings. 1931–1936: Case tipiche (typical houses), via de Togni. Les biographies de Carl Andre consignent bien entendu sa date de naissance, 1935 à Quincy dans le Massachusetts, et s’accordent pour faire de l’artiste américain un des principaux représentants de … 1935–1936: Laporte house, via Benedetto Brin. Milano è la città dove Gio Ponti realizzò molte delle sue opere. Dipinge su perspex, piega con … 1951: Interior design of the ocean liner Oceania for Lloyd Triestino. With the construction of the Borletti funeral chapel in 1931, he started to adopt a modernist shift. 1927 The family Bouilhet who entrusted him with his first architectural commission abroad, with the construction of the Ange Volant (1926–1928, in collaboration with Emilio Lancia and Tomaso Buzzi), a country house located on the edge of the Saint-Cloud golf course, on the outskirts of Paris. With the Bijenkorf department store in Eindhoven in the Netherlands (1966–1969), Ponti proposed another solution, by creating a tiled façade for an existing building. Nato a Milano il 18 novembre 1891, Gio Ponti è oggi considerato uno dei maestri dell’architettura e del design italiano. In the United States, he participated in the exhibition Italy at Work at the Brooklyn Museum in 1950, and created furniture for Singer & Sons, Altamira, and cutlery for Reed & Barton ("Diamond" flatware, 1958),[16] adapted for production by designer Robert H. Ramp). 1936: Design of the universal exhibition of the catholic press, 1936–1942: Artistic direction and interior design of the Aula Magna, basilica and administrative building of. [7] From 1943, due to the Second World War, his activity as an architect slowed down. 1931 [9] Facing Milan's main station, this 31-story, 127-meter-high (417 ft) skyscraper housed the headquarters of Pirelli, a company specializing in tyres and rubber products.