In Milan, he published for a number of journals, including Politecnico, Perseveranza, and Nuova Antologia. Although, in the text on the façade of Santa Maria del Fiore in Florence in 1871, Boito doesn’t deny the need to have it integrated, it is here that he becomes cautious, stressing that one of the key arguments of European style restorers (integration by way of analogy) was inadequate if applied to Italian monuments. It was financed by the composer Giuseppe Verdi and serves as a rest home for retired musicians, and as a memorial for the composer, who is buried in the crypt of the chapel there. Mizuko Ugo, in "TEMA" 2/1996, pp. Tradução: Paulo Mugayar Kuhl – Cotia- SP: Ateliê Editorial, 2014. Boito is perhaps most famous for his restoration of the Church and Campanile of Santi Maria e Donato at Murano, inspired by the theories and techniques of Viollet-Le-Duc. His mother was of Polish ancestry. Camillo Boito (1836-1914) foi um arquiteto, escritor e historiador italiano, voltado à crítica de arte e teoria do restauro, nascido em Roma.. Biografia. Note sulla "Carta del Restauro" di Camillo Boito. In 1954, Senso was memorably adapted for the screen by Italian director Luchino Visconti and then, later, in 2002 into a more sexually disturbing adaptation by Tinto Brass. Inscription of the date (or a conventional symbol) on new fabric in a historical building. The article also registers Boito’s activism, specifically, his unwillingness to back up Ruskin’s „passive“ stance with regard to the monument’s fate, even though he aligns himself with the restorer Giambattista Meduna, whose work gave rise to international polemics. In this key text, originally titled I restauri in architettura, published in Questioni pratiche di belle … Expand Gustavo Giovannoni: thoughts and principles of architectural restoration. Descriptive epigraph of the restoration work done attached to the monument.